Russian-born composer Sofia Gubaidulina entered the international spotlight at a relatively late age, when the 49-year-old came forward with her premier violin concerto, "Offertorium," in 1980. Gubaidulina authored that piece for Gideon Kremer. Curiously, it would be another 12 years before Gubaidulina received a commission (from Paul Sacher) to author her second violin concerto, and another 15 years after that until the notes fell on ears ripe with anticipation. For the debut of the "Second Violin Concerto," Gubaidulina insisted that no one other than German violin virtuoso Anne-Sophie Mutter perform it. That Mutter performance from August 2007 appears, in its entirety, in this classical concert film. Jan Schmidt-Garre directs.

An innovative short documentary that uses new editing techniques to complement Stravinsky’s violin concerto with some unique choreography from George Balanchine.

Everyweek Newsmagazine editor Richard Kurt pursues famous free-spirited portrait artist Marion Forsythe on her return to the states from Europe, seeking to convince her to write her biography as a feature for his magazine. One of Marion's old beaus, now running for U.S. Senator from their home state, also comes calling.

An epistolary look into the daily ecology of Coney Island by one of it's many residents.

Sibelius's solitary concerto is one of the most passionate tests for the violin virtuoso, one to which Maxim Vengerov is more than equal. He captures the work's passion and its occasional quirky patches of the spookily sublime. His performances of the "Sarabande" from the Bach Second Partita and the "Ballade" from Ysaye's Third Sonata are admirable encores demonstrating his range and his elegant control. Daniel Barenboim's piano performance of the de Falla Nights in the Gardens of Spain is equally virtuosic, bringing out the work's structure as well as its local color. Placido Domingo's conducting is solid and serviceable. Barenboim ends the concert with three de Falla orchestral showstoppers--the "Farruca" from The Three-Cornered Hat and the "Magic Circle" and "Ritual Fire Dance" from Love the Magician. The Chicago Symphony perform throughout with their usual vigor and fine orchestral color, but are particularly remarkable in these three encores

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Sophia is billed as a drama that explores themes of cultural crossover between the Middle East and the west

The lives of Angel and her two aunts Annie and Mercy are transformed, when Aby walks in, as their tenant. After a bout of initial resistance from Angel, romance strikes, and the two fall in sincere love.

Angel who lives with her two aunts is very fond of music. When Aby enters their house as a tenant, he and Angel bond over music and although initially hesitant, Angel gives in to Aby's love.